Immensely beautiful post-rock crushscapes make up this awesome 3" disc that Public Guilt just put out. For the record, this unassuming

looking little disc is one of the best damn things that the Guilt has released to date, and I'll be shocked if this doesn't incur at least a

minimal buzz from fans of ultra-blissful, metallic shoegazery. It's a collaboration between Destructo Swarmbots guitarist/vocalist Bianca Ala

Muerte and London-based vocal conjuror Max Bondi, and they blend together ethereal vocals with delicate guitar melodies and softly shimmering

drones into something that resembles the mellower moments of the Swarmbots fused with slabs of metallic dreampop. The guitar sounds are heavily

processed, stretched out into drifting smears of melody and glitchy feedback that sound like it's being shaped by an e-bow. The vocals sound

almost wordless, breathy male and female voices lilting over sometimes folky guitar strum, a fragile swirl of beautiful circular arpeggios and

angelic throats swimming in ephemeral electronic FX, and when they build into the crashing walls of massive distorted riffage and overdriven

noise on tracks like "Still" and "Hiding In A Tiny Space", it's some of the heaviest, most exquisitely beautiful music I've ever heard, like a

glitchy Windy And Carl crossed with the crushing dronemetal of The Angelic Process. Highly, highly recommended, and you're going to have to

move fast, as this has been released in a super limited edition of only 100 copies in a silkscreened 3-color, 3 panel trifold sleeve with

rubber stamped images pressed onto the paper by Bianca herself!