---

---

Long stuck with the "metalcore" tag, Philly's Starkweather has been probably the least deserving of that label over the course of their twenty year existence. Just because the members of Starkweather have had close ties to the underground hardcore scene does not a "metalcore" band make, and even as far back as their appearance on the Philly Dust Krew compilation and their first album Crossbearer, these guys were operating out in left field way beyond the generic chugalug of standardized slowed-down thrash metal and barked aggresion, playing a psychotic, unpredictable metal mutation that didn't (and still doesn't) sound like anything else I can think of. Blending together elements of progressive metal and prog-thrash with alien death metal, dementedly beautiful melodic parts with a tenuous connection to post-hardcore, and singer Rennie Resmini's incomparable primal howl, Starkweather created a unique sound of their own which continues to crush and confound. Their latest album This Sheltering Night is only their second in the past decade, but like their last album Croatoan, it's a stunning, focused work. Each song is a harrowing rapid descent into interior darkness, forged from jagged, skullcrushing riffage, deliriously psychotic ambience, soaring metal guitar heroics and gobs of suffocatingly tenebrous atmosphere, and includes some of the band's heaviest work to date, which is saying something when you consider just how punishing Croatoan was. The riffs are angular and complex, drawing from the same sort of warped mutant logic as later Gorguts, Voivod, and progressive doom metallers Confessor, but weighted with a black gravitational pull that is unique to the band, and which take on an even more vicious cast when they're surrounded by the grim industrial ambience and dark, jangling rock passages that make up This Sheltering Night�s more somber moments.
And there are sounds that appear on This Sheltering Night that sound new to me within the context of Starkweather. There�s the subtle use of twangy slide guitar that emerges on the opening track "Epiphany" for instance, followed by shimmery clusters of almost jazz-guitar like chords that break through the cracks in the angular death metal lurch. And former Kayo Dot member Forbes Graham contributes some trumpet and euphonium to a handful of songs, which adds a subtle jazzy texture to some key moments. Most noticeable are the industrial elements that appear here, which have only been hinted at on previous albums. Several of the tracks on the album are pure, grim industrial ambience, like "One Among Vermin" and "Broken From Inside", which suck all of the light out before the band comes crashing back in with their dissonant metallic crush, but it's on the last few tracks that the album drifts straight into ambient sound of the bleakest sort. The tracks "Swarm" and "The End Of All Things" are collaborations with ambient sound artist Sophia Perennis; the first is a brief, haunting dronescape of fluttering high end drone, slurred strings and distorted guitar snaking through an ethereal fug, fused together with blurred smears of looped strings and horns into a slowly drifting cloud of grey sound.
The last three tracks are remix-style works from Oktopus from Dalek, who takes elements of previous songs on the album and reworks them into dense layers of ambient drone and abstract electronics, with pulsating minimal beats and swells of percussion forming the minimal techno flutter of "Transmit". A harsher approach is used for "Receive", a nearly eight minute assault of chopped up riffage and percussion taken from the track "Martyring" (and possibly others), reformed into a sprawling prog-death cacophony. The last track "Proliferate" starts off as minimal dark ambience with bits of mechanical whir and hum drifting by, but it gradually builds into a raging mass of grinding machinery, buried percussive loops and roaring noise that rages for a minute or two before drifting off in a cloud of formless vocal drone. These guys have again crafted an album that is intensely challenging and brutal, as ambitious as Croatoan but darker, much darker, to the extent that this is probably the most oppressive, lightless collection of music that Starkweather has ever assembled. Absolutely recommended.
Track Samples:
Sample : All Creatures Damned and Divine
Sample : Epiphany
Sample : The End of All Things

---

---

Although they never achieving the same level of legendary status as Chris Reifert's previous band Autopsy, Abscess were an amazingly weird and heavy outfit that has been cranking out a demented cross between barbaric death metal slime and psychedelic sludgepunk since the mid-90's, releasing a couple of crucial discs on Relapse before moving on to UK label Peaceville for their last few releases. I actually hadn't paid much attention to their last couple of releases since Peaceville titles had been hard for me to track down for a while, but their latest album Dawn Of Inhumanity caught my attention immediately once I heard some of the preview tracks and laid my eyes on Dennis Dread's spectacularly wonky album artwork, a wild looking vision of levitating cloaked cultists, occult symbolism, and demonic alien-eyeball beasts. If you�re a fan of the older Abscess stuff, you know what to expect here; the songs on Dawn are in the same vein as previous Abscess offerings, an offbeat mix of caveman death metal, hardcore punk, Sabbathy doom, and crazed acid-guitar freakouts that crawl and lurch through a dank cloud of sewer ambience, with weirdo riffing and Voivod-esque skronk appearing alongside their punky blasts of guttural down tuned crush and primitive thrash. Their sound is heavy enough for Autopsy fans, but Abscess are so much weirder, the songs often wandering into bizarre noise freak outs (such as �The Rotting Land�, where the guys from Darkthrone can be heard gibbering and grunting within a chaotic free-noise mess), fucked-up tribal psychedelic death murk, even layering acoustic guitars within an otherwise roaring blast of rocking mid-paced death metal, and Reifert's vocals wheeze and grunt through a myriad of delay and echo effects that gives all of this a bent, cough-syrup covered vibe. Along with Dread's killer album art, the booklet that comes with Dawn is also filled with additional artwork from Reifert himself, who creates nightmarish primitive visions of black and red demons that somewhat resembles Mike Diana's artwork. It stinks that this turned out to be the band's final album, as they announced that the band was being put to rest soon after the release of Dawn Of Inhumanity, but they left on a high note with one of the year's wackiest death metal albums that continues to blare out of my stereo on a regular basis. Recommended!
Track Samples:
Sample : Divine Architect of Disaster
Sample : Goddess of Filth and Plague

---

Formerly available from UK black metal label Supernal, Drudkh's stunning fourth album Blood In Our Wells album is now back in print via Season Of Mist, remastered and released in a digipack Cd edition that has completely new album artwork. Drudkh remain one of my favorite Ukrainian black metal outfits alongside Astrofaes and Hate Forest (both of which in fact also feature members of Drudkh), and it's good to have this album once more available to fans of modern European BM.
Here's my review of the original Supernal release of Blood: The breathtaking fourth album from Ukrainian black metal horde Drudkh takes the bands Burzumic black metal buzz into even more dramatic and atmospheric territory. Heavy, grim Burzum-influenced riffs are fused with richly textured post-metal chords, Ukrainian folk music, samples from Ukrainian films, and winding song structures that constantly revolve around these amazing, melancholy melodies that will stick with you for days. As grim and anchored in black metal as Drudkh is, what makes them (and this album) so totally amazing is the way they combine their sinister, frozen black metal riffs with a sort of lush, keyboard-droning heavy indie-metal that is closer to bands like Isis, Jesu, and Mogwai than anything else. From the soaring atmospheric metal solos that drift over hypnotic mid-tempo riffs and the folk-tinged melodies that emerge from dense layers of electric and acoustic guitars, to the depressing yet strangely beautiful cover art of a Ukrainian peasant on his horse, head bowed on some frozen waste as he drags a peasant's sled that holds his sickly children and a coffin, Blood In Our Wells is a grey-hued experience of grim beauty and abject sadness. Highest recommendation, especially to any and all fans of slow-burning, atmospheric pagan black metal.
Track Samples:
Sample : Surrows of Gods
Sample : Ukrainian Insurgent Army
Sample : When the Flame Turns to Ashes

---

Formerly available from UK black metal label Supernal, Drudkh's stunning fourth album Blood In Our Wells album is now back in print on vinyl via Season Of Mist, remastered and released as a limited edition LP that has completely new album artwork (and which is also completely different from the Cd reissue of the album), and includes a download card to access a digital copy of the album. Drudkh remain one of my favorite Ukrainian black metal outfits alongside Astrofaes and Hate Forest (both of which in fact also feature members of Drudkh), and it's good to have this album once more available to fans of modern European BM.
Here's my review of the original Supernal release of Blood: The breathtaking fourth album from Ukrainian black metal horde Drudkh takes the bands Burzumic black metal buzz into even more dramatic and atmospheric territory. Heavy, grim Burzum-influenced riffs are fused with richly textured post-metal chords, Ukrainian folk music, samples from Ukrainian films, and winding song structures that constantly revolve around these amazing, melancholy melodies that will stick with you for days. As grim and anchored in black metal as Drudkh is, what makes them (and this album) so totally amazing is the way they combine their sinister, frozen black metal riffs with a sort of lush, keyboard-droning heavy indie-metal that is closer to bands like Isis, Jesu, and Mogwai than anything else. From the soaring atmospheric metal solos that drift over hypnotic mid-tempo riffs and the folk-tinged melodies that emerge from dense layers of electric and acoustic guitars, to the depressing yet strangely beautiful cover art of a Ukrainian peasant on his horse, head bowed on some frozen waste as he drags a peasant's sled that holds his sickly children and a coffin, Blood In Our Wells is a grey-hued experience of grim beauty and abject sadness. Highest recommendation, especially to any and all fans of slow-burning, atmospheric pagan black metal.
Track Samples:
Sample : Surrows of Gods
Sample : Ukrainian Insurgent Army
Sample : When the Flame Turns to Ashes

---

Just got some of the last cassette copies of this experimental hardcore/math/sludge classic!
One of my all time favorite bands to come out of the early 90's "post-hardcore" scene, Engine Kid hailed from Seattle that featured a young Greg Anderson on vocals and guitar, who of course would go on to form Southern Lord Records and play in bands like Sunn O))), Goatsnake, Thorr's Hammer, and Ascend. The music of Engine Kid always seemed to be lumped in with bands like Quicksand and Into Another, but their heavy, magisterial rock was so muc more experimental and arty; listening to Angel Wings again with about thirteen years of perspective reveals that by the time that the band recorded this album, they were beginning to contribute to the sonic template of indie metal that would later give rise to Pelican and Old Man Gloom. There's anthemic, catchy as hell hooks and choruses here, and the song "Windsheild" is a classic in the post-hardcore field, but the melodic side of Angel Wings is balanced with Slint-like math rock dynamics, and HUGE sludgy metallic riffs that are both beautiful and pulverizing, at times even giving me visions of an unlikely cross between Isis and Texas Is The Reason. There's a jazzy element that seeps into Engine Kid's music too, which is attributable to the amount of time that they spent around pals and touring partners Iceburn, no doubt, though the Kid were on a whole different level of heavy. Another kickass track on this album is the song "Anchor", one of my favorites, which actually starts off with Scottish bagpipes before unwinding into an eerie stretch of lugubrious slowcore that slowly and inexorably builds into a pummeling, percussive Helmet-esque riff. Hell, the song "Stitches" is another masterpiece with it's sadly gorgeous and unfolding heaviness... It's cool to revisit an album like this, which prior to getting in stock for the store hadn't been in my stereo for at least a couple of years, and rediscovering just how fucking cool and weird and crushing Angel Wings is. Highly recommended.

---

Back in stock!
As soon as we set eyes on the tasty red/silver cardstock cover and the names Luasa Raelon and Hive Mind on the spine, we knew it was going to be temple-stroking powerdrone time, low-frequency quake-beat time, as these guys are both at the head of the class when it comes to barbed-wire rumble-ambient. Both of their recent Troniks releases tyrannized the C-Blast boombox for weeks, so finding them paired together so soon really scratches the itch for more nocturnal hell-hum. Analogue synth mutator master HIVE MIND starts the disc with a single track, "The Marble Orchard", a subtle grinding buzz-pulse so grimy low-end you could freak to it, if you had enough cough syrup in you. But it gets out of Wolf Eyes type territory after about 6 minutes when the groove morphs into a post-nuke summer night with cyborg cicada chirps and spontaneous eruptions of radioactive shimmer, gradually sliding into a sublime nighttime urban drone. Righteous vibrations , clocking in at the epic 20 minute mark. Luasa Raelon follows with 4 tracks, with titles like "Devouring The Light" and "Twilight Of The Gods". C-Blast buddy David Reed ( a.k.a Luasa Raelon ), alongside Eric Crowe of Marax, is currently owning the ultra-stygian, Cthulhian post-industrial dirgescape...this stuff is for those of us who think Lustmord is too sunny. Reed dives in and out of cavernous depths with his oscillator set to "bad dreams", horrific blackened ambient electronics, like John Carpenter's grinding synths circa The Thing on an eternal loop. Freaking awesome. But the highlight of this disc is the final track, the title track, a collaborative exercise that starts off with the sound of midnight electrical buzz and the keening of abandoned warehouse districts...building into a swooping oscillator/synth hook straight outta Dr. Who's worst nightmares. Fucking creepy stuff. The package on this is appropriately eerie, gnarled high-contrast tree roots on a stark blood red print.
Track Samples:
Sample : The Marble Orchard
Sample : Night Maintenance
Sample : Twilight of the Gods

---

Just got some of the last copies of this proggy post-hardcore classic on cassette! Here's the original review of Hephaestus that I wrote years ago:
When it comes to the avant-garde and truly adventurous in heavy music, and hardcore punk and metal in particular, we don't think anyone is as crucial and ahead of their time as Iceburn, at least in terms of exploring jazz and avant garde music within the post-hardcore framework. And we don't think any band has ever left more hardcore kids baffled than Iceburn. Beginning as a skatecore outfit in Salt Lake City in the late 1980's/early 90's, the band would eventually evolve into a highly cerebral, totally crushing (but not always heavy) avant-jazz ensemble that could still whip out a massive hardcore riff or sludgy breakdown in the middle of their often-sprawling compositions. It's been a few years since anything new came out from them, but for now we are working on getting their entire back catalog stocked at Crucial Blast for anyone who missed out in the 90's when much of this stuff first hit.
Hephaestus is the legendary 1993 album from Iceburn, and finds the band at the height of their post-hardcore / pre-avant jazz phase. Challenging and innovative, but tuneful, this album is one of the best post-hardcore records to come out during this weird phase in underground music, a 79 minute continous thought, with four epic jams broken into movements and containing strange, unorthodox guitar riffs and downtuned sludgy heaviness. If you haven't heard Hephaestus, imagine a weird, cerebral fusion of Black Sabbath-influenced hardcore, Melvins, and Bitches Brew-era Miles Davis, out to an hour-long-plus cyclical journey.

---

Some of the most epic hardcore I've been listening to has been coming out of Japan, in particular the "Burning Spirits" scene with it's metallic tinged, thrashy bands that combine the usual Motorhead/Discharge influences with soaring melody. My favorite bands coming out of this Japanese HC scene are, unsurprisingly, two of the more progressive minded bands that go beyond the edges of hardcore, using interesting instrumentation, elements of pop and psychedelia, and a more adventurous vibe than most. One of those is the mighty Paintbox, whose last album is one of the most mind blowing hardcore albums of the past ten years, and the other is a band called Muga that I was just recently turned on to through their latest full length, There Is Nothing Eternal Exists I had actually head these guys years ago on the Relapse compilation Japanese Assault, but after that I never came across anything else from the band until now. Their latest is fucking awesome, though; dark, epic crusty hardcore with gruff but emotional vocals, ferocious metallic riffs, soaring Maidenesque guitar harmonies, crushing D-beat drumming, and incredible melodic hooks. Hard to believe that this comes from members of the psychedelic doom/sludge band Eternal Elysium! The nine songs on Eternal combine that Burning Spirits sound with a darker, heavier tone that evokes the contempo crusty hardcore of Tragedy and From Ashes Rise, but they also incorporate unexpected sounds like the mix of Morricone-style spaghetti western music and raging crust that appears halfway through the disc, passages of eerie clean guitar, and whole tracks of gorgeous, moody piano, orchestral strings and operatic female vocals. One of the last songs, "The Womb and the Universe", blends a beautiful pipe organ drone and delicate piano with crushing crust into one of the coolest songs on the album. So good, one of the best hardcore albums that I've heard in years, and it's highly recommended if you're also a fan of the Paintbox stuff that I've been raving about...
Track Samples:
Sample : Track 1
Sample : Track 4
Sample : Track 9

---

---

---

ALSO IN STOCK, NOT REVIEWED:

AGALLOCH Pale Folklore CD (The End) 12.98
AGALLOCH The Mantle CD (The End) 12.98
AUFGEHOBEN Khora CD (Holy Mountain) 14.98
AUSTERITY PROGRAM Black Madonna CD (Hydra Head) 13.98
AVICHI The Divine Tragedy CD (Battle Kommand) 11.98
BARONESS Red Album CD (Relapse) 13.98
BEHEMOTHAUR Necroglacial Enema CD-R (Fauna Sabbatha) 10.98
BENIGHTED LEAMS Dhombrid Welkins CD (Supernal) 11.98
BERGRAVEN Dodsvisioner CD (Hydra Head) 13.98
BIRCHVILLE CAT MOTEL Seventh Ruined Hex CD (Important) 14.98
BLACK TO COMM Fractal Hair Geometry CD (Dekorder) 12.98
BLACK TO COMM Ruckwarts Backwards CD (Dekorder) 12.98
BLOOD OF THE BLACK OWL self titled CD (Bindrune) 11.98
BLUT AUS NORD Odinist CD (Candlelight) 13.98
BORIS + MERZBOW Rock Dream 2xCD (Southern Lord) 15.98
BOTCH We Are The Romans CD (Hydra Head) 12.98
CATACOMBS In The Depths Of R'lyeh CD (Moribund) 12.98
CIRCLE Panic CD (Ektro) 12.98
CLOCKCLEANER Babylon Rules CD (Load) 11.98
CONVERGE No Heroes CD (Epitaph) 13.98
CULT OF LUNA Somewhere Along The Highway CD (Earache) 13.98
DARUIN / TORTURING NURSE / STPOCOLO split CD-R (Neus-13) 6.98
DEAD C Harsh 70s Reality CD (Siltbreeze) 13.98
DEAD C Vain Erudite And Stupid 2xCD (Siltbreeze) 15.98
DEAD RAVEN CHOIR & MATT ROSIN Fire Mouth CD-R (Digitalis) 11.98
DEAD RAVEN CHOIR Cask Strength Black Metal 2xCD (Supernal) 14.98
DEATHSPELL OMEGA Fas CD (Ajna) 14.98
DRUDKH Estrangement CD (Supernal) 15.98
DRUDKH Songs Of Grief And Solitude CD (Supernal) 15.98
EIKENSKADEN 665.999 CD (Tumult) 13.98
ELDRIG Kali CD (Supernal) 12.98
ELDRIG Mysterion CD (Supernal) 12.98
ENSEPULCHERED Suicide In Winters Moonlight CD (Autopsy Kitchen) 9.98
ESOTERIC Subconscious Dissolution CD (Season Of Mist) 15.98
ETHEREAL WOODS Kenilsworth CD (Supernal) 12.98
ETHEREAL WOODS Thickthorn CD (Supernal) 12.98
FLESHPRESS Pillars CD (Kult Of Nihilow) 11.98
FUNERAL MIST Devilry CD (Ajna) 14.98
FUNERAL MIST Salvation CD (Ajna) 14.98
FURZE Necromanzee Cogent CD (Candlelight) 10.98
FURZE Trident Autocrat CD (Candlelight) 10.98
FURZE Utd CD (Candlelight) 10.98
GHAST may the curse bind CD (Todestrieb) 11.98
GHAST / RAPE-X split CD (Obskure Sombre) 11.98
GHAST / YOGA split CD (Choking Hazard) 11.98
HALF MAKESHIFT L'anse Amort CD (20 Buck Spin) 11.98
HALF MAKESHIFT Omen CD (Profound Lore) 13.98
HARVEY MILK Courtesy And Good Will Toward Men 2xCD (Relapse) 16.98
HARVEY MILK Life...The Best Game In Town CD (Hydra Head) 13.98
HENNES SISTE HOEST s/t CD (Init) 10.98
HOMSELVAREG HomSelvareg CD (Van) 11.98
IRAN Moonboys CD (Tumult) 12.98
IRAN s/t CD (Tumult) 12.98
IRREVERSIBLE Sins CD (This Is Hero) 12.98
ISIS + AEROGRAMME In The Fishtank CD (Konkurrent) 11.98
ITS CASUAL Buicgl CD (The Friendly Hills Recording Company) 11.98
JAPANISCHE KAMPFHORSPIELE Rauchen Und Yoga CD (Bastardised) 11.98
JONES, MASON Midnight In The Twilight Factory CD (Monotremata) 10.98
KEIJI HAINO / KK NULL Mamono CD (Blossoming Noise) 14.98
KITES Hallucination Guillotine / Final Worship CD (Load) 11.98
KNEALE, CAMPBELL Pink Stalingrad CD (Celebrate Psi Phenomenon) 16.98
KRALLICE self titled CD (Profound Lore) 13.98
KRIEG The Black House CD (Red Stream) 11.98
LEVIATHAN Verrater 2xCD (Tumult) 15.98
LOVELY LITTLE GIRLS Glamorous Piles & Puffy Saddlebags CD (A-Pop) 12.98
LUGUBRUM De Vette Cuecken CD (Red Stream) 11.98
MGR Wavering On The Cresting Heft CD (Neurot) 12.98
MAJDANEK WALTZ CD (Wroth Emitter) 11.98
MARZURAAN Five Years Worth Of Fuck All CD (At War With False Noise) 11.98
MENACE RUINE Cult Of Ruins CD (Alien8 Recordings) 11.98
MENACE RUINE The Die Is Cast CD (Alien8 Recordings) 11.98
MGR vs SIRDSS Impromptu CD (Neurot) 13.98
MOE! STAIANO MOEKESTRA Inescapable Siren CD (Amanita) 13.98
MOE!STAIANOS MOEKESTRA 2 Rooms Of Uranium Inside 83 Markers CD (Edgetone) 14.98
MOUTHUS Saw A Halo CD (Load) 11.98
MURDEROUS VISION Lifes Blood Deaths Embrace CD (Live Bait) 10.98
MY CAT IS AN ALIEN / CHRISTIAN MARCLAY & OKKYUNG LEE From The Earth To The Spheres CD (Small Voices) 11.98
NADJA Radiance Of Shadows CD (Alien8 Recordings) 13.98
NAGELFAR Virus CD (Van) 11.98
NARROWS Benjamin CD (Wantage) 12.98
NARROWS Benjamin LP (Wantage) 12.98
NOISEGATE Suspended Animation Ambient Vol.1 CD (Tumult) 12.98
NORTH What You Were CD (Cavity) 12.98
ON s/t CD (Celebrate Psi Phenomena) 16.98
PERTH EXPRESS s/t CD (Teenage Disco Bloodbath) 11.98
POCAHAUNTED / ROBEDOOR Hunted Gathering 2xCD (Digitlis) 15.98
POCCOLUS s/t CD (Supernal) 13.98
PYRAMIDS self titled 2xCD (Hydra Head) 13.98
QUEST FOR BLOOD with YUKIHIRO ISSA self titled CD (Ektro) 14.98
RAVENTALE Long Passed Days CD (Badmoodman) 11.98
RUHR HUNTER Moss As Memory CD (Glass Throat) 14.98
RUHR HUNTER / CHAOS AS SHELTER CD (Glass Throat) 11.98
RUINS OF BEVERAST Rain upon the Impure CD (Van) 11.98
SERVILLE SECT Stratospheric Passenger CD (Sounds Of Battle And Souvenir Collecting) 11.98
SIGHTINGS Through The Panama CD (Load) 11.98
SPEKTR Ex Fugit CD (Candlelight) 9.98
SPITE EXTREME WING Magnificat CD (Behemoth) 11.98
SWALLOW THE SUN Hope CD (Candlelight) 11.98
SWITCHBLADE s/t CD (Cyclop Media) 13.98
TAINT Secrets CD (Candlelight) 13.98
THE WIRE ORCHESTRA Futuristic Hymns & Broken Down Gospels Vol. 1 CD-R (MT6) 5.98
THEE MALDOROR KOLLECTIVE Themes For Proxima CD (Foreshadow) 11.98
TIME OF ORCHIDS Melonwhisper CD (self-released) 13.98
TIME OF ORCHIDS Sarcast While CD (Tzadik) 13.98
TODESSTOSS Spiegel der Ur�ngste / Sehnsucht CD (Wroth Emitter) 11.98
TOTAL FUCKING DESTRUCTION Zen And The Art Of Total Fucking Destruction CD (Translation Loss) 12.98
TRANSMISSION0 Memory Of A Dream CD (Candlelight) 9.98
TRIST Stiny CD (Ars Magna) 9.98
TULSA DRONE Songs From A Mean Season CD (Perpetual Motion Machine) 9.98
TUMULUS Live Balkan Path CD (Wroth Emitter) 11.98
U.S. CHRISTMAS Eat The Low Dogs CD (Neurot) 14.98
USSA / HEIRS OF ROCKAFELLER split CD (MT6) 5.98
VANESSA VAN BASTEN La Stanza Di Swedenborg CD (Radiotarab) 11.98
VARGHKOGHARGASMAL Drowned In Lakes CD (Tumult) 13.98
VARIOUS In Nomine Satanas, The First Curse CD 11.98
VELVET CACOON Dextronaut 2xCD (Full Moon Productions) 14.98
VERDUNKELN Einblick in den Qualenfall CD (Van) 11.98
VINTERRIKET Wege In Die Vergangenheit 2002-2004 CD (Badmoodman) 11.98
VULTURE CLUB Live Young Die Fast And Leave An Exquisite Corpse CD (Utech) 14.98
WOLD LOTMP CD (Profound Lore) 13.98
WOLD Stratification CD (Profound Lore) 13.98
WOLF EYES Dread CD (Hanson) 13.98
WOLF EYES Slicer CD (Hanson) 13.98
WOLF EYES WITH JOHN WIESE Collection CD (Hanson) 15.98
WOLFMANGLER Dwelling In A Dead Raven For The Glory Of Crucified Wolves CD (Aurora Borealis) 11.98
WOODS OF INFINITY Hopplos Vantan CD (Supernal) 11.98
XASTHUR A Gate Through Bloodstained Mirrors 2xCD (Hydra Head) 14.98
XASTHUR Defective Epitaph CD (Hydra Head) 12.98
YELLOW SWANS AT All Ends CD (Load) 11.98
YIDUAN Foggy Town CD (So Rock!) 11.98
YIDUAN Hymn CD (So Rock!) 11.98
ZAIMPH La Nuit Electrique CD (Utech) 14.98

---